This song is the second-longest track in the Daydream Nation album. The epidemic discussed in this song was the cause of the War on Drugs, which claimed the lives of about 40% of the black population in New York City in the 80s/90s. Thurston Moore sang about the widespread crack epidemic in New York City in this song. It is the longest track on the Daydream Nation album of 1988. When looking for the song, it indicates the stretching out and extrapolating properties of Sonic Youth The Sprawl is the song. The latter part of this song features broken riffs, a wind-down of pounded guitar strings with noisy but not loud feedback. This song revealed the drone elements of the band. ![]() This property was used to express the unbound female desire. The lyrics for the first verse of the song were from the novel by Dennis Johnson, The Stars at Noon. This writer used the term, Sprawl, which is the title of the song, to mean a future megacity stretching from Boston to Atlanta. This song was inspired by the works of William Gibson, a Science fiction writer. The song rounded off with Gordon’s soft and intense vocals. This song features various phases of mellow with hardcore punk and alternate tunings. Kim Gordon was the lead vocalist in this song while Lee and Moore’s dueling cacophonous guitars howl over the high-speed drum beat of Shelley. His loss, I guess.This song is one of the tracks in the Daydream Nation album of 1988. While Sonic Youth’s version has gone on to become one of the most lauded versions of the track, the Carpenters’ surviving member, Richard Carpenter, has famously said he doesn’t particularly care for Sonic Youth’s version of the song. Gone were the light and easy instrumentation, and instead, we were given an excursion into that of the noisy New York alternative rock scene. Likewise, the group’s infamously intricate guitar-tunings were used to create a vibe completely removed from the original. Maintaining the song’s feeling of loss and loneliness, Sonic Youth’s Thurston Moore used his vocals to create a dark and moody atmosphere. However, Sonic Youth considered the Carpenters an influence, and dutifully recorded a cover of ‘Superstar’. Now, if one was to look at the Carpenters, often considered a staple of AM-radio easy listening, one would see almost no resemblance to that of Sonic Youth, the highly experimental alternative noise-rock group. In addition to brilliant covers from artists such as Shonen Knife (who covered ‘ Top Of The World‘), and The Cranberries (who covered ‘ (They Long To Be) Close To You‘), was the record’s sole single Sonic Youth’s version of ‘Superstar’. Gone was the soul-styled vocals of the original, and it’s sexual overtones, and instead, Karen Carpenter’s vocals were added into the mix, giving the song a deep feeling of loneliness and loss, as was originally intended by the song’s writers.Īs year’s went by, numerous bands took inspiration from the works of the Carpenters, so much so that a compilation CD was issued in 1994 that saw bands who considered the group as influences, covering their songs. The Carpenters’ version was a hit, with many stating that the Carpenters cover was far superior and emotional than the original. ![]() Instead, the song was passed around between numerous musicians until it received a great deal of success thanks to a little duo called the Carpenters, who renamed it ‘ Superstar‘. This B-side was called ‘ Groupie (Superstar)‘, and wasn’t overlooked as many B-sides of the era were. That single featured, as many did, a B-side. Back in 1969, Delaney & Bonnie released the song ‘ Comin’ Home‘.
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